I was recently diagnosed with Common Variable Immunodeficiency (CVID).
It made me reflect on the bouts illness I have experienced all of my life...
I dug up a little picture book that I wrote when I was five for a grade one project. It is titled 'My Scotland Trip.'
We went on the plane to Scotland.
Then the bus, then we met my auntie.
We went in a taxi to the house to see my grandmother.
I went to Lorvan's school.
And when we went out to play we saw double deckers.
We went to the tea shop. I had coke and cakes.
And my Auntie Freyda gave me a pad of paper.
And my Auntie Elizabeth gave me a doll.
And I was very sick there.
The End.
At a very young age, I had already begun to grapple with how illness fit into the storying of my life. Over the years, I have struggled with this aspect of my identity...It has been particularly hard because my illness is not among the well-known that come with there own imagery, narratives, languages and even brands.
I was quite pleased to know that there are foundations dedicated to my illness - some with their own store!
Similarly, I felt excited to come across this site which advertises "National Invisible Chronic Illness Awareness Week."
Finally, I belong!
And not only do I belong, but all my symptoms are suddenly LEGITIMATE.
And yet these feelings trouble me...
For one, I am disturbed by the branding and marketing of illness as identity. Some of my concerns are captured in Jennie Bristow's review of Sarah Moore's book Ribbon Culture:
Ribbon Culture is a brilliant little book. Drawing on her
doctoral research, Sarah Moore, a research assistant at the University
of Kent, provides a cogent analysis of the ubiquitous
‘awareness-raising’ ribbon and its more recent offspring, the
wristband. What do these things represent, she asks, and why do so many
people wear them? The answers are revealing and disturbing.
‘Since its emergence in 1991, the awareness ribbon has achieved the
kind of cultural status usually reserved for religious symbols and
big-brand icons’, notes Moore in her introductory chapter. Fewer than
two decades on from the launch of the red AIDS-awareness ribbon, which
Moore credits with starting this trend, one can buy ribbons in every
colour, to ‘show awareness’ for a ‘staggering’ range of causes:
‘… the Oklahoma bombing, male violence, censorship, bullying,
epilepsy, diabetes, brain cancer, myalgic encephalomyelitis (ME),
autism, racial abuse, childhood disability, and mouth cancer, to name
just a few.’
As there are clearly more causes than there are colours, a
particular coloured ribbon could denote a number of different things
that the wearer could be seen to be raising awareness of. Not that this
potential confusion matters all that much: as Moore remarks, a few of
her ribbon-wearing interviewees had to be reminded which causes their
ribbons represented, while one teenage collector of wristbands proudly
described to her ‘a gold anti-poverty band, a particularly rare
wristband that he had given to his girlfriend as a present’:
‘When I asked him whether he thought it a little contradictory that
an anti-poverty wristband should be gold, he was genuinely surprised at
the observation; absorbed in the task of locating rare bands, choosing
which to display and which to give as gifts, he hadn’t given
consideration to the meaning of the objects he collected.’
In many respects, Ribbon Culture is an analysis of several
apparently contradictory aspects of contemporary culture. The ribbon
is, explains Moore, ‘both a kitsch fashion accessory, as well as an
emblem that expresses empathy; it is a symbol that represents
awareness, yet requires no knowledge of a cause; it appears to signal
concern for others, but in fact prioritises self-expression.
The great strength of this book is the way that it unpacks these
different features of ribbon-wearing, in an account that is both
sympathetic and critical. Nowhere does Moore mock the intentions or
practices of her ribbon-wearing interviewees, though sometimes she must
surely have been tempted: ‘When I asked one of the young female
interviewees who wore a pink-ribbon t-shirt what made her choose to
wear the garment on certain days, I was seeking to understand whether
there were certain situations, relationships and experiences that
prompted her to show her awareness of breast cancer. Her keen reply
took me by surprise: “I think ‘it’s got pink in it, what goes with
pink?’ Actually I wear it with this skirt quite a lot …”.’
For Moore, this is not an example of individual silliness, but a
reflection of the extent to which ‘the pink-ribbon campaign is a
thoroughly commercial exercise’, which carries the risk ‘that the
products will fail to communicate anything meaningful about breast
cancer’. It is the commercialisation of causes, which both empties them
of all content and transmits messages that are negative and misleading,
that Moore sees as problematic. In seeking to understand why the
individuals she interviewed wear the ribbons or wristbands that they
do, Moore’s account stands out through her refusal to pander to the
rhetoric of ribbon culture, which emphasises ‘awareness’, ‘caring’ and
engagement with a cause. In reality, these positive rhetorical
sentiments mask an anxious, self-obsessed, depoliticised culture.
In her essay, "Rethinking Recognition", Nancy Fraser discusses the dangers of identity politics:
I want to
argue here that we need a way of rethinking the politics of recognition in a
way that can help to solve, or at least mitigate, the problems of displacement
and reification. This means conceptualizing struggles for recognition so that
they can be integrated with struggles for redistribution, rather than
displacing and undermining them. It also means developing an account of
recognition that can accommodate the full complexity of social identities,
instead of one that promotes reification and separatism. Here, I propose such a
rethinking of recognition.
I know that for myself, I would be far less desperate to belong and find a branded-illness-identity, if I did not live in an ableist culture that individualizes medical problems and pathologizes those who don't fit well into the capitalist system nor its diagnostic categorization of its misfits. I would also be less desperate to belong if I lived in a culture that made me feel cared for and safe. A week of awareness for invisible illness is nice, but I need a funded health care system where one does not wait for over a year to see a specialist.
Before we find ourselves drowning in wristbands and ribbons, we must learn how to make common cause with others to struggle for our common good. We don't need any more illness industries. We need to fix the economic maldistribution and biological fall-out of capitalism by creating a world that is in the service of life NOT profit. We need a world that cares for each according to her need, not according to her brand.
I don't know how my story will end...I just hope that part of it can read: "I was very sick and I was cared for by my community..."
Links:
Alberta Friends of Medicare
Ribbon Culture by Sarah Moore
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